Thursday, 6 February 2014

Jamie Murray's Final Blog on The Big Delay!!! (How Ironic, eh Jamie?)

The entire essence and plot of William Shakespeare’s play Hamlet revolves around Hamlet’s irresolute behaviour regarding the approach he takes in killing his uncle Claudius; with the ultimate question being: Why the delay? This multifaceted question has haunted critics for centuries because Shakespeare directs so much attention to this puzzling aspect of the play without giving a definitive answer. Where exactly is this “delay” stemming from? Is this delay driven by mainly internal or external challenges? Some may even suggest that there was never a delay to begin with, considering the audience may never have noticed if Hamlet himself had not mentioned his indecisive attitude in one of his soliloquies. Regardless, I believe that there is evidently a delay present, with the correlating factors being the fact that his primary source was a ghost, his honor in searching for the appropriate time with the presumption that Claudius might repent, and finally his fear of death all contribute to extending his quest for revenge.
Reliability and trust are two themes in this play that are meticulously explored and expressed through various relationships. In Act I of the play, a ghost appears claiming that he is the spirit of Old King Hamlet, stating that Claudius is the murderer, and later instructs Hamlet to seek revenge in his honor. Pause for one second and view this from Hamlet’s perspective. You are mourning over your father’s death and consequently you are emotionally unstable. One month after your father’s death, your mother marries your uncle and now a ghost appears and suggests that you take action immediately. How impulsive do you think you would be? Over the course of the play, Shakespeare conveys to his audience that trust is a complex connection, stressing that trust is a bond which takes time to develop. Horatio and Marcellus recognize this, warning Hamlet by suggesting “What if it tempt you toward the flood, my lord, Or to the dreadful summit of the cliff… And there assume some other horrible form, Which might deprive your sovereignty of reason” (I, iv, 69-73). Essentially, Horatio is expressing his concern for Hamlet, suggesting that if he follows the ghost it might tempt him into madness and potentially suicide. Hamlet realizes this when he admits that “The spirit that I have seen may be the devil” (II, ii, 596-597). This ultimately leads him to do more investigation on Claudius and implement the play “The Mousetrap”.
Hamlet does not usually base his decisions off of “An eye for an eye mentality” which is why he resorts to strategizing his plan, in search of the perfect duel. Unlike Claudius, Hamlet doesn’t intend to seek revenge by poisoning him while he is asleep. Hamlet considers himself an honorable avenger which is why he doesn’t hide his intentions, but rather gives Claudius a fair warning by staging a play that parallels their own scenario. After the play, Hamlet is presented with an opportunity to kill Claudius. Initially, Claudius runs to the chapel because he feels guilty for what he has done, however he later decides that asking for forgiveness is not worth it. Hamlet holds back on killing him because the chapel is a holy place, and he wants to allow for the potential possibility that Claudius might repent his deed.
On a global basis, this delay is relatable to that of the Cold War. The term “Cold War” was given to illustrate the relationship between the U.S.A and the U.S.S.R after World War II. The reality of the war being that neither side actually ever fought, but rather posed as threats with the ideology that either country could wipe out the other out entirely. This relationship can easily be associated with the relationship between Hamlet and Claudius. Hamlet eventually gathers enough evidence to conclude that Claudius is the murderer but he struggles to find the perfect time to announce it and take his revenge.

From a personal stand point, my hockey team serves as another parallel to this relationship. Our team is faced with the challenge every game to find a balance between offence and defence. Our team doesn’t want to sacrifice too much attention towards offence, because we are worried that we will leave our defence out to dry. Likewise, sometimes we find ourselves playing too conservatively in that we never give ourselves a chance to score. Hamlet is struggling with this same balance issue. He wants to take revenge on Claudius but at the same time he doesn’t want to put himself in a vulnerable position and get himself killed. 
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